In Love at Twilight Time
(aka "Matching Overtones")
Rating: 3.4/5
(197 votes - mouse-over to vote now!)
Date Posted: | Mon, 4 Sep 2017 |
Posted By: | jmdougherty | More from this user |
Key written in: | E Major |
How many parts: | 4 |
Type: | Barbershop |
Lyrics: | In love at twilight time |
Comments: | This tag was written as an experiment to have singers match the natural overtone series as closely as possible, thereby making it easy to tune. The first and last chords specifically have the bass singing the fundamental while the other voice parts sing the bass's literal overtones. Sung correctly, the top three parts in these two chords will seem to nearly disappear as a result. In addition, the middle four chords should conceivably produce psychoacoustic undertones. Each chord matches the overtone series in manner indicated below. The notes in parenthesis are the harmonics not being sung: In: 1 (1) 5 1 3 Love: (1) 1 5 1 3 At: (1) (1) (5) 1 3 5 7 Twi: (1) (1) 5 1 3 (5) 7 Light: (1) 1 5 (1) 3 (5) 7 Time: 1 1 5 (1) 3 |
Attributions
Arranger
Jay Dougherty
www.ArtisticSinging.com
Year: unknown
Purchase this arrangement here
unknown
Made famous by
unknown